During the reign of Elizabeth I, a large portion of land surrounding the ruins was given by the Queen to the Viscount Montague. In 1714, he sold the land, approximately 8 square miles in total, to John Pratt, a prominent politician who eventually took the title the Marquis of Camden.
In 1799, the second Marquis of Camden decided to turn what was largely arable land with a handful of small houses into a more formal estate. He hired the biggest name in the business, the landscape designer Humphry Repton, to draw up a report outlining suggestions of how he should go about it. Repton is known to have paid two visits to the site, the second fifteen years later in 1814. Repton’s principal ideas relating to the estate were, firstly, to set a large house in the position where one currently stands (allowing views of the ruined abbey) and, secondly, to insert a large lake into the landscape. The overall effect was to be, according to Repton, “a scene of Sylvan sublimity which can neither be described by words or painting”. Although Repton’s recommendations were never fully carried through, they were to a large extent. There are, for instance, a number of cleared ‘drives’ that bear the hallmarks of Repton’s designs.
The house that was eventually built on the estate was completed in 1872 to the designs of the architect David Brandon. An impressive structure in the ‘Jacobethan’ style, it is clearly visible when one turns off the road towards The Carriage House. A century later, in 1976, the decision was made to sell the estate and it was purchased as a whole by the property company Rocoavon Ltd, which promptly divided it up into approximately 20 saleable lots. The Carriage House was one such lot, purchased in 1977 by the current owners.
Faced with a bare building, but one with an entire open façade offering wonderful views, the architect Bob Giles started the process of creating a home. Giles is an architect with essentially Modernist principles (Alvar Aalto, in particular, is an important inspiration), so he attempted to maximize the space and light within the building, whilst keeping it free from unnecessary clutter. He was also not afraid to keep the original, pragmatic structure exposed. By adding slate floors and large panes of glass, amongst other features, he transformed the former carriage house into a contemporary residence.
In 2004, Giles extended the house, along much the same lines as his original conversion. Perhaps the most notable feature of the extension is the addition of a large terrace and sun room.
Please note that all areas, measurements and distances given in these particulars are approximate and rounded. The text, photographs and floor plans are for general guidance only. The Modern House has not tested any services, appliances or specific fittings — prospective purchasers are advised to inspect the property themselves. All fixtures, fittings and furniture not specifically itemised within these particulars are deemed removable by the vendor.