York's Lane
Chewton Mendip, Somerset

£1,895,000
Freehold

Architect: Ray Moxley / Tim Organ

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“It is the expressiveness of the designs – the daring forms of their buildings – that mark out the Organ brothers from their contemporaries”

This incredible modernist home, set in Somerset’s idyllic Mendip Hills Area of Outstanding Natural Beauty, was originally designed by the acclaimed architect Ray Moxley in the 1960s, and later extended by Robert and Tim Organ. In recent years, the house has been subject to a major renovation by the current owners, including a sympathetic restoration of the house’s architectural features; the interior remains a showcase of mid-century features and period detailing. Comprising the main single-storey house and a two-bedroom stone cottage, the total living space extends to over 3,200 sq ft and could be utilised as either one or two houses. Beautifully landscaped internal courtyards and surrounding gardens of around half an acre create a harmonious equilibrium between the architecture and its rural surroundings. While the location is incredibly private and secluded, the house lies just two miles from the attractive village of Chewton Mendip and four miles from Wells, with Bruton, Frome and Mells also reachable in around 30 minutes by car.

Watch our film about York’s Lane here.

The Architects

Ray Moxley was, at the time of the house’s commission, a young forward-thinking architect based in Bristol. His exceptional drive and determination made him a brilliant construction manager and he developed a method he called ‘rapid building’. His success in this field brought in many commissions, including Chelsea Harbour, a huge site adjacent to Lots Road Power Station, where he worked with Chamberlin, Powell, Bon and Woods on a significant number of houses, flats, and industrial and commercial buildings.

The Organ brothers, Bob and Tim, were widely celebrated when the house was built, completing a small but highly distinctive number of projects before going their separate ways. It is the expressiveness of their designs and the daring forms of their buildings that demarcate the Organ brothers from their contemporaries; almost sculptural in appearance, their houses, schools and apartment blocks, among other designs, still seem radical to this day. For more information, see the History section below.

The Tour 

This house was originally created for two academics at the University of Bristol who were passionate about modern architecture and wanted to transform their stone cottage into something more appropriate for the late 20th century. At the end of the decade, they commissioned Robert and Tim Organ to design an extension, the most notable part of which is the tetradecagon-shaped room on the far end of the plan. More recently, the house has been updated with exquisite attention to detail, replacing the exterior cladding, updating internal operations and glazing, a full decorative interior treatment and landscaping of the gardens.

The location feels incredibly quiet and secluded, tucked away along a quiet country lane opposite woodland on the Waldegrave Estate. A winding private driveway leads to the primary entrance, which is set discreetly on the westerly side. The main house, constructed of timber frame, concrete block and stone, consists largely of a rectangular structure with floor-to-ceiling glazing that is strongly reminiscent of the celebrated Case Study houses built in California in the 1950s.

A beautifully light entrance hall leads through to a distinct tetradecagon-shaped garden room to the immediate right. This is a wonderfully warm pocket of the house: a naturally inviting space to sit and read, enjoy music, or simply contemplate the light and space. Strategically placed ribbons of glazing frame key views of the woodland, and a wonderful quality of light filters in from different angles at various points of the day.

To the left of the entrance hall is a quiet sleeping area with a private en suite bathroom, ideally reconfigured to provide a private resting space for guests, set independently from the rest of the house. Glass doors provide natural light, as well as calming views of plants, trees, and water, and open up the space, allowing an easy flow onto the courtyard gardens.

The dining room connects the westerly wing of the house to the spectacular central living areas, the open plan living space elegantly cantilevering over the hillside. Glass walls invite striking natural light into the space while framing breathtaking snapshots of layer-upon-layer of woodland.

Designed to be versatile in its layout and adaptable to season, mood, and occasion, the room is defined by free-standing furniture pieces which afford more appropriate, flexible divisions of space than the permanence of walls or corridors. In winter months, the room is reconfigured towards a large wood-burning stove set upon a cast concrete plinth, which transforms the room into a comforting, cosy retreat.

The new kitchen feels perfectly in keeping with the mid-century interior aesthetic while retaining a generous provision of space for cooking and food preparation. Clean lines of bespoke cabinetry create plenty of storage and neatly conceal the appliances.

Tucked into the north-easterly corner, the main bedroom is an incredibly quiet and peaceful room, with an en suite bathroom and generous walk-in wardrobe. The third bedroom lies adjacent, with leafy views across the gardens and over treetops.

The original cottage is connected by an adjoining internal staircase, which can be closed for privacy via a doorway on both sides. Built of stone and concrete block, the house dates to the 1700s and the interior has been sensitively updated while retaining many of the charming original features such as flagstone floors and stone fireplaces. A wood burner is positioned in the central living space, forming a natural division from the dining room, where timber-framed glass doors lead out to the private terrace and gardens. The kitchen is also positioned at ground level.

Ascending the original staircase, two bedrooms and a bathroom extend the first floor and have lovely views.

The cottage is heated by an independent air source heat pump, has a private garden primarily laid to lawn. It offers a good annual income as a holiday let, details of which can be shared on request.

Outdoor Space 

The south-east-facing house is surrounded by gardens, some of which are sloped and some of which are level. Restored to impressive effect, the terrace and internal courtyard design, and the choice of plantings, reflect the features of modernist architecture and are oriented in part around a rectilinear pond, which refracts the sunlight and moonlight. Seating areas have been thoughtfully placed to enjoy the sensory joys of the natural surroundings and the sound of flowing water adds to the naturally peaceful environment.

Undulating lawns to the front of the house attract a great diversity of local wildlife. A double garage at the entrance to the main house and a double garage beside the cottage offers plenty of private parking, and there is also a useful store for wood and gardening tools.

The Area 

The house sits surrounded by, and is protected from development by, Waldegrave Estate land, in the Mendip Hills AONB. The historic village of Chewton Mendip is notable for its charming vernacular limestone buildings. It has a primary school (rated outstanding by Ofsted,) Grade I-listed Norman church, shop and pub. Just four miles away is Wells which, despite its small size, is known across the world for its impressive cathedral. It is also renowned for its schools (Wells Cathedral School in particular) and the beauty of the surrounding countryside (including the Somerset Levels, Quantocks and, of course, Mendip Hills.) Wells also offers a good range of shops, restaurants, cafés and other services. The city of Bath (a World Heritage Site) is just 20 minutes drive by car and Bristol is 25 minutes.

North Somerset’s most popular highlights are also easily reachable. The area is renowned for its cultural and culinary highlights; Bruton’s excellent food offerings – the Michelin-starred OsipThe Old PharmacyAt the Chapel and The Newt – as well as Hauser and Wirth – can be easily reached by car, and Frome is also close by. Frome’s lively community of independent shops, creative businesses and eateries include Rye BakeryProjects FromeMoo and TwoFrome HardwareEight Stony Street, and Frome Reclamation YardThe Frome Independent, a monthly market showcasing local artisans and food producers, has also helped put Frome on the map, attracting over 80,000 visitors annually.

For fresh food and farm produce, there are plenty of independent growers and dairies to choose from. Westcombe Dairy is a go-to for award-winning cheese and charcuterie, and Landrace Bakery’s new outpost offers sourdough bread made from stoneground UK grains milled at the new Landrace Mill. A good selection of farm shops for organic produce, as well as a local distillery Somerset Spirit Co, and Lunaria and Re-Rooting and field-grown flowers and herbs, are also within easy reach.

Council Tax Band: E

Please note that all areas, measurements and distances given in these particulars are approximate and rounded. The text, photographs and floor plans are for general guidance only. The Modern House has not tested any services, appliances or specific fittings — prospective purchasers are advised to inspect the property themselves. All fixtures, fittings and furniture not specifically itemised within these particulars are deemed removable by the vendor.


History

Ray Moxley (1923 – 2014) was, at the time of the house’s commission, a young forward-thinking architect based in Bristol. He worked in local government architect’s departments for three years and in 1953 left to start his own practice. In 1964, Moxley went on to build one of Bristol’s first high-rise blocks. His exceptional drive and determination made him a brilliant construction manager and he developed a method he called ‘rapid building’. His success in this field brought in many commissions, including Chelsea Harbour, a huge site adjacent to Lots Road Power Station, where he worked with Chamberlin, Powell, Bon and Woods on a significant number of houses, flats, and industrial and commercial buildings. Moxley also served as vice president on the RIBA council for some years. His last work was Excel, the International Exhibition Centre.

The Organ brothers, Bob and Tim Organ, formed Artist & Constructor (with Bob the artist and Tim the constructor) in 1968 to great acclaim. As such, they were widely celebrated at the time the house was built. They completed a small but highly distinctive number of projects before they went their separate ways. Based in the West Country, the Organs were the sons of an architect but neither of them received formal architectural training themselves (although both taught the subject at the Architectural Association in London.)

It is the expressiveness of their designs and the daring forms of their buildings that demarcate the Organ brothers from their contemporaries. Almost sculptural in appearance, their houses, schools and apartment blocks, among other designs, still seem radical to this day. Admirers of modern architects such as Frank Lloyd Wright and Alvar Aalto (whose work they travelled to see,) the Organs preferred their more organic architectural style to the severe approach of Le Corbusier and Mies van der Rohe. They featured frequently in books, architectural journals and newspapers and were the subject of a large article in The Times by Tony Aldous. In the 1970s, Bob Organ gave up architecture to pursue painting. His brother, meanwhile, went on to form the J. T. Group with John Pontin OBE.

This house was originally created for two Bristol University academics who were passionate about modern architecture. They wanted to transform their stone cottage into something more appropriate for the late 20th century, and so commissioned Ray Moxley to design a glass box sitting on a cantilevered concrete deck. The extension was constructed from pre-fabricated modules made off-site and bolted into place. At the end of the decade, they commissioned Robert and Tim Organ to design a further extension, the most notable part of which is the tetradecagon-shaped room on the far end of the plan. More recently, the house has been updated with an exquisite attention to detail, replacing the exterior cladding, updating internal operations and glazing, a full decorative interior treatment and landscaping of the gardens.


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